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Prue Hazelgrove 'Re:Generation' Exhibition

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    [ID] => 34415
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    [post_content] => Prue Hazelgrove is a Canberra based artist specialising in the 19th Century wet plate photographic process known as collodion. The collodion process, one of the first in the history of photography, fixes images to glass and metal. By design, the collodion image is a reflection and not a copy. Hazelgrove has documented extensive series of people in their community, reflecting back personalities in splendid detail. Turning their attention to personally and locally significant places in the region, Hazelgrove presents ‘Re:Generation’.

When Prue Hazelgrove looks at the shape of a landscape, the hills, the rocks, the plants, the animals, the people, they often contemplate water. How it both shapes and sustains everything that exists there. The artist often conceives of words and people like water; flowing, gathering and changing. How they reflect, rearrange and resonate.

Prue Hazelgrove is the technical assistant supporting Brenda Croft’s ‘Naabami (thou shall/will see): Barangaroo (army of me’) project. Through the development of this work, Hazelgrove had the privilege and honour of meeting and listening to many First Nations elders and their families: hearing their stories, their wisdom, about their relationship with Country and family. This experience was like drawing near to the river. To witness the truth of how the place in which you exist is sustained, and changes with seasons, yet remains constant, to see the wisdom and sovereignty of Country and Custodians.

During this project, Hazelgrove researched their family history in the region and was surprised to find how closely some of their ancestors lived to places that are significant to them now. Being drawn into places, to paths already trodden by ancestors without knowing, made the artist consider that while trying to get to know Country, perhaps Country already knew them.

'To draw near to the river, the water, in whatever form it takes, to the source, is to be changed. You must be patient, be willing to let go of your sedimentary colonial beliefs, be worn down, to be shaped. You must be prepared to move, to follow the source, to learn. By existing alongside the truth telling, the words the people - the water, you will be undeniably changed.’ – Prue Hazelgrove.

Image courtesy the artist.

Mon – Fri 9am – 5pm
Sat 12pm – 4pm
Closed Sun and Public Holidays
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14th Feb 2026 – 4th Apr 2026

Goulburn Regional Art Gallery, 184 Bourke Street, Goulburn, NSW, 2580

Contact Details
Goulburn Regional Art Gallery
[email protected]
(02) 4823 4494

Event Details
Time: 9:00am – 5:00pm

Prue Hazelgrove is a Canberra based artist specialising in the 19th Century wet plate photographic process known as collodion. The collodion process, one of the first in the history of photography, fixes images to glass and metal. By design, the collodion image is a reflection and not a copy. Hazelgrove has documented extensive series of people in their community, reflecting back personalities in splendid detail. Turning their attention to personally and locally significant places in the region, Hazelgrove presents ‘Re:Generation’.

When Prue Hazelgrove looks at the shape of a landscape, the hills, the rocks, the plants, the animals, the people, they often contemplate water. How it both shapes and sustains everything that exists there. The artist often conceives of words and people like water; flowing, gathering and changing. How they reflect, rearrange and resonate.

Prue Hazelgrove is the technical assistant supporting Brenda Croft’s ‘Naabami (thou shall/will see): Barangaroo (army of me’) project. Through the development of this work, Hazelgrove had the privilege and honour of meeting and listening to many First Nations elders and their families: hearing their stories, their wisdom, about their relationship with Country and family. This experience was like drawing near to the river. To witness the truth of how the place in which you exist is sustained, and changes with seasons, yet remains constant, to see the wisdom and sovereignty of Country and Custodians.

During this project, Hazelgrove researched their family history in the region and was surprised to find how closely some of their ancestors lived to places that are significant to them now. Being drawn into places, to paths already trodden by ancestors without knowing, made the artist consider that while trying to get to know Country, perhaps Country already knew them.

‘To draw near to the river, the water, in whatever form it takes, to the source, is to be changed. You must be patient, be willing to let go of your sedimentary colonial beliefs, be worn down, to be shaped. You must be prepared to move, to follow the source, to learn. By existing alongside the truth telling, the words the people – the water, you will be undeniably changed.’ – Prue Hazelgrove.

Image courtesy the artist.

Mon – Fri 9am – 5pm
Sat 12pm – 4pm
Closed Sun and Public Holidays

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